Khanh the Killjoy

I can’t lose Annie because I wanted to dance and kiss James. How could I have been so stupid and selfish? Everything was already screwed up; we were already in trouble. I can’t believe I did this. I did this. Again. How many times will Annie have to see her own death because of me?

So there are these two stupid sisters, I want to call them Dumb and Dumber, but for the purposes of this book, they're named Annabelle (Annie) and Sofia (Fia). At the beginning of the story, we know that Fia is an assassin, a 17-year old assassin. A really pretty, skinny, girl-next-door-wholesome, charming assassin who's given a task to kill someone, a boy named Adam. Supposedly she's been a killer before, it doesn't matter because as soon as we meet her, the first paragraph of the book tells us that she's a motherfucking moron who can't kill anything if it has big, soulful motherfucking eyes.

Fia has to kill this dude. There are people holding her beloved sister, Annie, hostage. If she doesn't kill this guy whom she's never known before, whom she's never met before, they're gonna probably kill or hurt her sister (who's blind, and by implication, pretty helpless).

So what does Fia do? She doesn't fucking kill the guy.

I know I won’t be able to kill him.

Because he motherfucking helped a puppy.

He’s still helping the puppy, untangling the leash from a tree outside the bar. And he’s not only setting it free, he’s talking to it.

He's setting the little puppy free from where its leash got tangled, and by doing so, Dumber, I mean, Fia, can't bring it in her cold steel assassin motherfucking heart to kill him. He's ruined her plans because he helped a motherfucking puppy. What in the actual fucking name of incompetent moronic idiocy is this shit? And need I remind you of what's going to happen if she doesn't kill him? Her sister is going to get fucking killed by the organization holding her hostage.

His long fingers deftly untwist and unwind and undo my entire day, my entire life. Because if he doesn’t die today, Annie will, and that is one death I cannot have on my conscience.

So in case I haven't made it clear, Annie is Fia's sister. She is blind. She is helpless. She will get killed if Fia doesn't do her job as an assassin and kill this henceforth unknown boy. And Fia is going to let her beloved 19-year old big sister, whom she has to protect, die because she can't bear to kill a boy who shows kindness to a motherfucking puppy.

She doesn't know the boy. She doesn't know who she is. She's never fucking met him before. He's a cute boy. It doesn't fucking matter. He could have been a serial killer. She doesn't know why she has to kill him, but he's her assignment. Ted Bundy was handsome, too, he was wholesome-looking, too.



And look where that got all his 30 victims.

That dumb dog has killed us all.

No, it hasn't. You've killed "us all," Fia. You had one fucking job, to kill that boy, and you couldn't do it because of a cute motherfucking dog.



So instead of doing her job and just making it simple, and you know, killing the guy, Fia ends up incapacitating some random thugs instead and saves mysterious boy, named Adam, a 19-year old "doctor," by which I think he means he's a Ph.D and not an actual doctor, because no doctor would be so incompetent and overdose their patient unless they graduated from a cut-rate medical school in Guatemala that would admit a student from an non-biological science major who spent her entire college career playing Worlf of Warcraft every night and cramming for her exams the hours before. Meaning they'd take me. No offense to actual Guatemalan doctors everywhere. I'm sure you guys are amazing compared to the "board certified plastic surgeons" working out of garages in Las Vegas who use motor engine lubricant/WD-40 for butt injections. I kid. I kid.

Not really. Anyways!

Despite the fact that fucking child-savant-19-year-old-"doctor" Adam fucking drugged her without her consent, Fia still trusts him. Because she's the most idiotic assassin in the history of YA literature with the exception of perhaps, Celaena Sardothien.

He shifts uncomfortably, eyes on the road. “I might have overdosed you. Just a little. I needed to think.”
Hmm. He drugged me. That’s interesting. I felt like I was safe with him. I still do.

Clearly, along with her inability to do her fucking job, Fia has to get her priorities straight. Here is a girl who's been raised in a psychic school who's been trained to be deadly for years, who's had her sister taken hostage, whose parents died under mysterious circumstances, who knows better than to trust anyone, suddenly fucking trusts a guy who:

1. She's been assigned to kill, obvious there has to be a reason if he's seen as a threat

2. DRUGS HER WITHOUT HER CONSENT

How fucking dumb is that?

So now she hasn't killed the boy, she's faked his death at the risk of having her sister killed because she can't complete her assignment, she lets him go, she TELLS him that she's been assigned to kill him, he believes her and they part with a hug, because it's just totally natural that she tell a guy that there's a hit on his head, that he has to abandon his family and friends and go into hiding, and she's going to pretend she's killed him. And now she's going to return to the agency and pretend that everything is normal, singing Justin Bieber while she goes.

I should be terrified. I should turn around and go anywhere else. I should curl up in a ball and cry. Instead, I think about everything in the whole entire world that makes me angry—there is a lot, oh, there is a lot—and I start singing Justin Bieber at the top of my lungs.

Clearly, she just needs somebody to love (I need somebody, I, I need somebody...).

I do like that song, by the way.

So Fia's angry. Really really angry. She takes out that anger by imagining killing people in her head (while believing that killing is wrong and hating herserlf because she kills. Yay! Hypocrisy!). She hates everyone, she hates everything. She dances.

And Fia—oh, Fia, you are so beautiful it makes my heart hurt—is in the middle of it all, slamming her body, moving and swaying and dancing to the beat in a way that no one else can. Her eyes are closed and her arm is raised.

She sings.

“Drugs, drugs, drugs, I want some drugs,” I sing, dancing out of the bathroom and into my living room.
Crazy crazy. And I don’t care. I skip down the wide, empty hallway, singing at the top of my lungs. I know I’m not free yet, but I feel like I am.

There could be terrorists threatening her life, it doesn't really matter because if Fia dances and sings, they'll all go away. Dance dance. Sing. Sing. Sing.

So just forget about Adam now, really, forget about him. He's a projected love interest, but you're not gonna see him again for a long time. Because now we meet another love interest instead, handsome, powerful James. And cue love triangle.

Apparently, for all the sisterly love that Annie and Fia supposedly share, they hate each other pretty easily. Because right now (we're like, 1 hour from the Adam-rescuing-puppy event) Fia goes back to super secret special agency headquarter and finds out that Annie is the one who ordered the kill on Adam.

And instead of, like, actually ASKING Annie why she wanted to fucking kill Adam in the first place ---you know, trusting your beloved sister whom you've sworn to protect and all--- Fia gets all fucking upset that Annie sent her to kill. And now Fia feels that Annie has betrayed her because of a fucking boy whom she's known for all of a fucking hour.

How could she want him dead? Did she want me to do it? How could she set me up for that?
I don’t know her at all. All these years, all these things I’ve done, all these things I’ve become to keep her happy, to keep her safe. I don’t know her. I tap tap tap Annie’s betrayal onto my leg.

And instead of trusting her sister and telling her the reason (and it's a legit reason) why she wanted Adam dead: Hint: he's dangerous! Annie just keeps it all to herself and allows her sister to think that she's just a vindictive bitch who just wanted to kill a cute sad-eyed boy for fun.

Adam was a threat. A huge, massive, all-consuming threat.

“It was bigger than us. It is bigger than us. I wasn’t doing it for me. Or even for Fia. I was doing it so Fia wouldn’t happen to a thousand other girls.”

Such communication. What love. Much wow. Sisters much? This book was a mess. The ending. Fuck that ending. Why did I even read this book?



The Narrative: Drove me absolutely bonkers.

- Half the book are composed of flashbacks

- It is narrated from alternating POVs, Fia and Annie (and THEIR flashbacks! Yay!)

- Nothing fucking happens: seriously, after the beginning Adam excitement, nothing happens in this book. Why? Oh, right. BECAUSE HALF THE BOOK ARE FLASHBACKS.

- Stream-of-consciousness style narrative from Fia. And man, she is motherfucking annoying.

Some sort of accident.
Some sort of accident.
Some sort of accident.

Repetitions. Fia fucking loves them.

Something is wrong.
It’s wrong wrong wrong WRONG WRONG WRONG! I need to find Annie.

Did I mention she loves repetitions?

(Control, control, control. Control got Clarice killed.)
(Control didn’t get Clarice killed. I killed Clarice.)

Yep. She loves repetition.

Annie is safe.
Annie is safe. Annie is safe. Annie is safe. Annie is safe. Annie is safe. Annie is safe. Annie is safe. Annie is safe.Annie is safe. Annie is safe. Annie is safe. Annie is safe.

I GET THE FUCKING POINT.
The Anger: I like an angry heroine. I don't like a bratty one. Fia is angry, but her anger is the sort of the kind of tantrum that a 5-year old throws, and I just had enough of her bullshit. I absolutely hated her. I wanted to strangle her, or at least remove her voice box so she would just fucking shut up because I don't want to hear it. I know she has a lot to be upset about. I should have been able to empathize with her. I can't because she's so "WAH OMGOMGOMGOMGOMGMG SHUT UP YOU ARE ALL BITCHES AND I HATE YOU!!!!!!!!!!! DIIIIIIIIE!" all the fucking time.

Fia is crazy. She is fucking nuts. She's not the cold, sociopathic kind of crazy or the entertaining kind of crazy like Penryn's mother in Angelfall, but the sort that one day is going to turn into the scary bag lady in the corner, shouting at passersby, brandishing an umbrella, screaming "I'M COMING FOR YOU IN YOUR SLEEP, YOU LITTLE FUCKS." as concerned mothers cover their children's ears. It is batshit, annoying crazy, and I can't take it.

Sister, Sister: The love between sisters in this book is all telling and no showing. Oh, we know that Fia really loves her sister because she says so all the time. Except for the fact that practically every time she sees Annie, Fia's resenting her for getting her stuck in this situation in the first place. We know that Fia really loves Annie because she thinks that Annie's betraying her without giving her a chance to explain. We know that Annie and Fia love each other because they never. ever. fucking. communicate. with each other. Sharing emotions. Sharing your troubles. Sharing your stories. Leaning on each other for support? Is that too much to motherfucking ask? I just wanted the sister to show some genuine love for one another.

The Romance: Surprisingly little, despite the fucking insta-love. The book doesn't tie anything together. There are roughly 93889758934329 loose ends, and the romance is but one of them. There attempts to be a love triangle, and it's just completely laughable because it's so completely fucking pointless. The only person I liked in the book is the sadistic love interest, James. He was the only one with any sort of depth to his personality.

There was just no point to this book. Why did I even bother? Nothing ever got resolved.